Artists: Miwako Arakawa, Fia Backström, Alvin Baltrop, Sid Branch, Mary Cassatt, Antoine Catala, Donna Collins, Josie Collins, Chloe Dzubilo, Thomas Eggerer, Michaela Eichwald, Loretta Fahrenholz, T De Long, Jean Genet, Grand Openings, Pierre Guyotat (live), E’wao Kagoshima, Alex Kwartler, Maria Lassnig, Louise Lawler, Margaret Lee With Michele Abeles / Alisa Baremboym / Antoine Catala / Gregory Edwards / Debo Eilers / Josh Kline / Andrei Koschmieder / Ajay Kurian / Amy Lien / Jared Madere / K. Mustermann / Anicka Yi, Fernand Léger, Sherrie Levine, Amy Lien, Siobhan Meow, Joan Mitchell, Adrian Piper, Carissa Rodriguez, Emily Sundblad, Nicola Tyson, Cosima Von Bonin, Amy Yao / Michele Abeles / David Benjamin Sherry / Carissa Rodriguez / Lisa Jo, Anicka Yi
Venue: White Columns, New York
Exhibition Title: Looking Back / The 6th White Columns Annual
Date: December 10, 2011 – February 18, 2012
Note: The work in this year’s exhibition was selected by Ken Okiishi and Nick Mauss
Full gallery of images, press release and link available after the jump.
Images courtesy of White Columns, New York
‘Looking Back’ is the sixth installment of the White Columns Annual. The exhibition is now an annual fixture on White Columns’ calendar. Each year, an individual or a collaborative team (e.g. an artist, a curator, a writer, etc.) is invited to make an exhibition at White Columns based on their personal experience of looking at art in New York in the previous year. For the sixth ‘Annual’ exhibition, White Columns has invited the New York-based artists Ken Okiishi and Nick Mauss to make the selection.
In a very straightforward sense, the ‘Annual’ exhibition hopes to reveal something of the complexities involved in trying to negotiate – and engage with – New York’s constantly shifting cultural landscape. The format of the exhibition inevitably encourages highly subjective and deeply personal responses to the realities of viewing art in New York. The ‘Annual’ exhibition series hopes to illuminate aspects of the specific, yet highly idiosyncratic routes – geographical, intellectual, historical, social, etc. – that individuals follow in an increasingly expansive and fragmented cultural environment.
Through the re-contextualization of artworks encountered in other circumstances and contexts, the exhibition hopes to establish – albeit temporarily – a new ‘narrative’, a conversation, of sorts, amongst artists and artworks, that seeks to illuminate and/or explore certain underlying tendencies, conditions, or connections that perhaps might otherwise have remained elusive or obscured. In re-thinking the (fairly) recent past the exhibition hopes to provoke something akin to a sense of deja-vu, establishing a scenario that is at once both reflective and forward thinking.
There are no restrictions as to what type of work can be included. ‘Looking Back’ seeks to eliminate any categorical or hierarchical distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally seen, or the seniority of an individual artist, etc.) These works might have been originally encountered in exhibitions at institutions, galleries, and not-for-profit spaces, or at performances, readings, during visits to artists’ studios, or online, etc.