Andreas Slominski at Metro Pictures

October 22nd, 2012


Artist: Andreas Slominski

Venue: Metro Pictures, New York

Exhibition Title: Sperm

Date: September 13 – October 27, 2012

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Metro Pictures, New York

Press Release:

Andreas Slominski’s “Sperm” comprises the semen of humans and animals splashed on the walls and floors of Metro Pictures. The theme of the exhibition is that of touch, specifically the moment sperm fuses with the ovum and fertilization occurs. As the foundation of existence, Slominski identifies touch as one of the most important forces in our world. “Sperm” represents both a shift in focus and continuation of Slominski’s engagement with this notion of the instant of contact, which has been a key element in the traps that have been a signature aspect of his work for more than 25 years. The elaborate and often hidden processes that go into Slominski’s exhibitions and works have long been the poetic and brutal crux of his practice.

In contrast to passive, static sculpture, Slominki’s traps teem with latent energy. Once touched, that energy is released to make the traps explosive, active objects. “Sperm” disrupts codified notions of sculpture in a way similar to Slominski’s traps, but where the traps replace marble or plaster as material, “Sperm” eliminates the tangible object. Additionally, in using sperm Slominski acknowledges the burgeoning ubiquity of imaged semen—a new development in the history of images, which only first appeared in so-called adult films in the 1970’s but has proliferated since the onset of the internet. “Sperm” is Slominski’s laconic elaboration on this expanded field.

Link: Andreas Slominski at Metro Pictures

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2 Responses to “Andreas Slominski at Metro Pictures”

  1. cook Says:

    i had the gallery put the entire show on reserve for me. I hope to get this work into a major museum collection, as I think it is historically monumental and brilliant in execution, with an acerbic conceptual edge that places it eons ahead of anything else on exhibit in chelsea these days.

  2. Ted Says:

    Cook, I think you nailed it when you said “reserve for”. But I don’t think “ahead” is appropriate here. For the past 10 years it has only been “here” and “then” for thoughtful practices.

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