Contemporary Art Daily

Ill Seen Ill Said

September 17 – October 29, 2016
Venue website
View in Contemporary Art Library
Images courtesy of White Flag Projects, St. Louis

Exhibition Images

This page contains 34 images and 0 videos documenting this exhibition. 0 images contain text descriptions.
  • Caption:
    John Waters. Faux Video Room, 2006. Ipod, speakers, painted wood, synthetic velour and chromed pole. 110 x 96 x 6 inches.
  • Caption:
    Banks Violette. Not Yet Titled (The End Edition), 2010. Steel, light bulbs, electric wires, assorted hardware. Dimensions variable.
  • Caption:
    Lutz Bacher. Tool, 2015. Metal shovel, wheel device. 72 x 26 x 34 inches.
  • Caption:
    John Waters. Faux Video Room, 2006. Ipod, speakers, painted wood, synthetic velour and chromed pole. 110 x 96 x 6 inches.
  • Caption:
    Robert Morris. Untitled, 1987. Acrylic on fiberglass. 73 1/2 x 48 x 4 3/4 inches.
  • Caption:
    Jo Spence. The Final Project (Graveyard 1), 1991–1992. Positive digital print from 35mm black and white negative. 22 1/2 x 14 1/2 inches.
  • Caption:
    Jo Spence. The Final Project (Graveyard 2), 1991–1992. Positive digital print from 35mm black and white negative. 22 1/2 x 14 1/2 inches.
  • Caption:
    Jean-Luc Moulène. Tronche/Babu Mafflu (Paris, May 2014), 2014. Polished concrete, blue blanket. 14 1/8 x 8 5/8 x 11 inches.
  • Caption:
    Jean-Luc Moulène. Tronche/Babu Mafflu (Paris, May 2014), 2014. Polished concrete, blue blanket. 14 1/8 x 8 5/8 x 11 inches.
  • Caption:
    Tony Morgan (in collaboration with Daniel Spoerri). Resurrection (Beefsteak), 1968. Digital transfer of 16mm black and white film, with sound. 8 minutes 25 seconds.
  • Caption:
    Tony Morgan (in collaboration with Daniel Spoerri). Resurrection (Beefsteak), 1968. Digital transfer of 16mm black and white film, with sound. 8 minutes 25 seconds.
  • Caption:
    Tony Morgan (in collaboration with Daniel Spoerri). Resurrection (Beefsteak), 1968. Digital transfer of 16mm black and white film, with sound. 8 minutes 25 seconds.
  • Caption:
    Tony Morgan (in collaboration with Daniel Spoerri). Resurrection (Beefsteak), 1968. Digital transfer of 16mm black and white film, with sound. 8 minutes 25 seconds.
  • Caption:
    Tony Morgan (in collaboration with Daniel Spoerri). Resurrection (Beefsteak), 1968. Digital transfer of 16mm black and white film, with sound. 8 minutes 25 seconds.
  • Caption:
    Tony Morgan (in collaboration with Daniel Spoerri). Resurrection (Beefsteak), 1968. Digital transfer of 16mm black and white film, with sound. 8 minutes 25 seconds.
  • Caption:
    Yngve Holen. Hater Headlight, 2015. Scooter headlight, powder coated steel. 11 3/8 x 18 1/8 x 26 inches.
  • Caption:
    Yngve Holen. Hater Headlight, 2015. Scooter headlight, powder coated steel. 11 3/8 x 18 1/8 x 26 inches.
  • Caption:
    Carlo Scarpa. Cinesi Vase, Model 513.3, 1940. Iridized glass. 9 x 9 x 9 inches.
  • Caption:
    John Giorno. SUICIDES ARE SONGS OF ASPIRATION, 2015. Acrylic on canvas. 40 x 40 inches.
  • Caption:
    John Giorno. EVERYONE IS A COMPLETE DISAPPOINTMENT, 2015. Digital print on vinyl. 154 x 154 inches.
  • Caption:
    John Waters. Faux Video Room, 2006. Ipod, speakers, painted wood, synthetic velour and chromed pole. 110 x 96 x 6 inches.
  • Caption:
    Robert Morris. Untitled, 1987. Acrylic on fiberglass. 73 1/2 x 48 x 4 3/4 inches.
  • Caption:
    Robert Morris. Untitled, 1987. Acrylic on fiberglass. 73 1/2 x 48 x 4 3/4 inches.
  • Caption:
    Robert Morris. Untitled, 1987. Acrylic on fiberglass. 73 1/2 x 48 x 4 3/4 inches.