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Spiderman-Atelier (Spiderman Studio), 1996, wood, metal, plastic, Plexiglas, mirrors, bronze, Styrofoam, painted canvases, vodka bottle, and balsa, 110 1/4 x 120 1/16 x 154 3/4 in., collection of Anton and Annick Herbert, Ghent, Belgium, photo by Philippe Degobert
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Installation view of the exhibition Peter. Die russische Stellung (Peter. The Russian Position) at Galerie Max Hetzler, Cologne, 1987, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Ohne Titel (Untitled), 1996, oil on canvas, 70 7/8 x 59 1/16 in., private collection, Austria, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Ohne Titel (Untitled) from the series Jacqueline: The Paintings Pablo Couldn’t Paint Anymore, 1996, oil on canvas, 70 7/8 x 59 1/16 in., The Museum of Contemporary Art, Los Angeles, partial and promised gift of Susan and David Gersh, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Untitled, 1991, watercolor on paper, 16 9/16 x 22 1/16 in., Friedrich Christian Flick Collection, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne, photo by Stefan Rötheli, Zürich
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Poster for the exhibition Der Kippenberger—Das Sahara-und das Antisahara-Programm 81/82 (The Kippenberger—The Sahara-and the Anti-Sahara Program 1981/82), 1982, offset lithograph, 33 1/16 x 23 3/8 in., photo courtesy of Dickinson Roundell, Inc., New York, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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The Modern House of Believing or Not, 1985, oil on canvas, 70 7/8 x 88 9/16 in., Deutsches Architekturmuseum, Frankfurt am Main, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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The problem perspective. You are not the problem, it’s the problem-maker in your head, 1986, oil on canvas, 70 7/8 x 59 1/16 in., collection of Margaret and Daniel Loeb, New York, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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1. Preis (1st Prize), 1987, oil and acrylic on canvas, 70 7/8 x 59 1/16 in., private collection, courtesy of Luhring Augustine, New York and Skarstedt Gallery, New York © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Worktimer, 1987, steel, briefcases, and rubber, 95 11/16 x 101 3/16 x 55 1/8 in., Grässlin Collection, St. Georgen, Germany, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Ohne Titel (Untitled) 1988, oil on canvas, 94 1/2 x 78 3/4 in., private collection, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Disco Bomb, 1989, mirrored disco ball with synthetic orange wig, 12 in. diam., ed. 4/9, The Museum of Contemporary Art, Los Angeles, gift of Christopher Wool, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Ohne Titel (Untitled), 1990, steel, glass, light bulb, and electrical fixtures, 109 in. tall, collection of Margaret and Daniel Loeb, New York, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Ohne Titel (Untitled) from the series Fred the Frog, 1990, oil on canvas, 94 1/2 x 78 3/4 in., collection of Audrey M. Irmas, Los Angeles, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Ohne Titel (Untitled), 1991, pigment and latex on canvas, 70 7/8 x 59 1/16 in., private collection, Frechen, Germany, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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The Happy End of Franz Kafka’s “Amerika” at Museum Boijmans Van Beuningen, Rotterdam, 1994, mixed media, dimensions variable, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
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Martin Kippenberger, Ohne Titel (Untitled) from the series Lieber Maler, male mir (Dear Painter, Paint for Me), 1981, acrylic on canvas, 78 3/4 x 118 1/8 in., collection of Wendy Gondeln, © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne