Park McArthur

Maxwell Graham / Essex Street, New York

Maxwell Graham / Essex Street

The entire storefront façade of Essex Street Gallery, built of glass and metal trim surrounded by large white bricks, with one of two front doors propped wide open, on a sunny day. On both sides of the open door are the storefront’s large windows showing the interior architecture and some artworks on the walls.

A section of the gallery’s storefront façade focused on the two front doors, with one propped wide open, showing a view inside the space.

The left window of the gallery’s façade, including the window frame, and a view into the space showing parts of the gate and call buttons of a wheelchair lift.

A view through the left window into the gallery, showing part of a framed artwork on the left and the full gate and call buttons of a wheelchair lift in the center and light switches and an alarm code on the right.

An angled view through the left window into the gallery, showing a framed artwork on the left and the gate and call buttons of a wheelchair lift to the right.

The right window of the gallery’s façade, including the window frame, and a view into the space, showing some of the gallery’s overhead lighting fixtures on the left, and on the right on a curved wall is a hanging sculpture.

A view through the right window into the gallery, showing a balcony and the top of a staircase headed down to a lower level, in the distance framed artworks in the lower level, and in the foreground on the right on a curved wall is a hanging sculpture.

A squared open doorway inside the gallery. In the space beyond the doorway a framed artwork hangs on a white wall.

On the left light is coming through a window, in the center a white wall with a framed artwork.

The main space of the gallery with large bright white walls and cool fluorescent lighting. On the walls hang twelve framed artworks unevenly spaced around the walls.

The main space of the gallery with large bright white walls and cool fluorescent lighting. On the furthest wall’s left side is a large white staircase leading up to the entrance level with windows underneath an EXIT sign, on it’s right side is a doorway to an elevator lift. On the walls hang ten framed artworks unevenly spaced around the walls.

On the left is a large white staircase leading up to the entrance level with windows underneath an EXIT sign and a faint view of a hanging sculpture. In the center is a large white wall with a framed artwork. On the right is a doorway to an elevator lift.

A large white wall with two framed artworks.

A large white wall with four framed artworks unevenly spaced. One of the frames extends outside the picture.

A large white wall with three framed artworks.

A large white wall with three framed artworks unevenly spaced.

A large white wall, interrupted by a break in its center, with four framed artworks unevenly spaced. One of the frames extends outside the picture.

A hanging sculpture. The sculpture is made out of twelve pieces of transparent plastic interlocking into one another in a vertical column. Each piece is a cylindrical tube leading to a flattened sphere leading to a cylindrical tube. In the center of each flattened sphere is a filter.

Detail of a hanging sculpture showing how each piece interlocks with the next, and showing the underside of the filter is slightly gray and dusty, while the top side is clean and white.

A slightly curved white wall with a hanging sculpture.

A framed artwork. The frame is painted white wood. The matte board is also white. The artwork is two pages of paper vertically oriented and side by side. The sheets are white, with graphically printed sparse numbers, lines, logos and text all in blue. All of the content is printed in reverse as if it were viewed in a mirror. On the page on the left the print spells out in a vertical column “2500ml” “2250” “2000” “1750” “1500ml” “1250” “1000” “750” “500ml” “250” from top to bottom with a horizontal blue line separating each number. Underneath this column are the words “Inspired Volume”. Next to the column are the words “VOLDYNE ® 2500” and “HUDSON RCI” with a simple logo. To the right of these words are three stacked boxes each containing the words “GOOD” “BETTER” “BEST” from top to bottom. On the page on the right the print spells out in a vertical column “2500ml” “2250” “2000” “1750” “1500ml” “1250” “1000” “750” “500ml” “250” from top to bottom with a horizontal blue line separating each number. Underneath this column are the words “Inspired Volume”, without additional text or logos.

An artwork. The artwork is two pages of paper vertically oriented and side by side. The sheets are white, with graphically printed sparse numbers, lines, logos and text all in blue. All of the content is printed in reverse as if it were viewed in a mirror. On the page on the left the print spells out in a vertical column “2500ml” “2250” “2000” “1750” “1500ml” “1250” “1000” “750” “500ml” “250” from top to bottom with a horizontal blue line separating each number. Underneath this column are the words “Inspired Volume”. Next to the column are the words “VOLDYNE ® 2500” and “HUDSON RCI” with a simple logo. To the right of these words are three stacked boxes each containing the words “GOOD” “BETTER” “BEST” from top to bottom. On the page on the right the print spells out in a vertical column “2500ml” “2250” “2000” “1750” “1500ml” “1250” “1000” “750” “500ml” “250” from top to bottom with a horizontal blue line separating each number. Underneath this column are the words “Inspired Volume”, without additional text or logos.

Park McArthurEdition One and Two Fantasies
Maxwell Graham / Essex Street, New York

Exhibition Images and Videos

Park McArthurEdition One and Two FantasiesMaxwell Graham / Essex Street, New York

Exhibition Images and Videos

Park McArthurEdition One and Two Fantasies
Maxwell Graham / Essex Street, New York