“Time Again” at SculptureCenter

June 24th, 2011


Artists: Richard Aldrich, Troy Brauntuch, Manon de Boer, Matthew Buckingham, Moyra Davey, Thea Djordjadze, Aurélien Froment, Rachel Harrison, Charline von Heyl, Ull Hohn, William E. Jones, Elad Lassry, Rosalind Nashashibi, Blinky Palermo, Laure Prouvost, Steve Roden, Emily Roysdon, and Rosemarie Trockel, Ed Atkins, Marc Camille Chaimowicz, Steven Claydon, Sergej Jensen, Sam Lewitt, R.H. Quaytman, Josef Strau, and Paul Thek

Venue: SculptureCenter, Long Island City

Exhibition Title: Time Again

Date: May 9 – July 25, 2011

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of SculptureCenter, Long Island City

Press Release:

SculptureCenter is pleased to present Time Again, an exhibition that explores the language of repetition, bringing together works that destabilize conventional ways of seeing and considering what is past and what is present. Engaging gesture, image sequence, material affect, and displaced narrative, the works on view create disjunctions with the way the time of the present is experienced, challenging our understanding of what it means to be contemporaries. Curated by Fionn Meade, Time Again will be on view May 9 – July 25, 2011.

Within the exhibition, archival and historical settings are re-animated only to be undone, including William E. Jones’s video Berlin Flash Frames, 2010, which parcels out footage from an unedited film produced by the U.S. Information Agency found in the National Archives of the United States labeled with the provisional title “Berlin, 1961.” Jones’s re-edit features distanced shots of the Berlin Wall under construction alongside propagandistic scenarios featuring actors on stage sets. Similarly, Emily Roysdon’s Untitled (David Wojnarowicz Project), 2001-2007, responds to and redirects Wojnarowicz’s earlier work Arthur Rimbaud in New York, 1978-79, while an excerpt from Marc Camille Chaimowicz’s Shoe Waste?, 1971-2005, returns to documentation of a clandestine action performed above and beneath the River Thames in London.

Additional works to be exhibited include a new sculpture by Rachel Harrison, Avatar, 2010; Ull Hohn’s series of plaster relief paintings, Untitled, 1988; Thea Djordjadze’s Deaf and dumb universe (Gerüst), 2008; and Troy Brauntuch’s Stamps, 1975-2007, which gathers together the artist’s collection of figurative rubber stamps that have been used in his collages over the past thirty years. Also on view will be sculpture, collage, and video works from Rosemarie Trockel, including Goodbye Mrs. Mönipaer, 2003, a cinematic pantomime that explores the psychologically fraught role-playing that can emerge between artists and gallerists, studio and market concerns, and private and public selves.

The performing body and political subject present themselves throughout the exhibition via acts of estrangement, reversal, ritualized behavior, and fragmentation. Manon de Boer’s film Attica, 2008, for example, captures a refracted consideration of the 1971 prison uprising in the form of a musical performance, while Rosalind Nashashibi’s This Quality, 2010, offers an indirect view of Cairo through tightly framed observations of likeness and variation. Matthew Buckingham’s Image of Absalon to be Projected Until It Vanishes, 2001, addresses a public that may no longer exist in a fragmented portrait of the Danish warrior-bishop and quasi-mythic founder of the city of Copenhagen. Similarly, the place of abstraction reasserts a longstanding dialog with the place of iconography through modes of projection, superimposition, doubling, and associative image sequences in works by Richard Aldrich, Moyra Davey, Charline von Heyl, Elad Lassry, and Blinky Palermo.

Also included within Time Again is a presentation of works organized in collaboration with Novel, a project founded by London-based editors and curators Matt Williams and Alun Rowlands. A publication project that takes up experimental writing as a parallel practice to visual art making, Novel draws on politics, poetry, theory, and storytelling to promote explorations of language and the possibility of a new critical fiction.

The exhibition catalog will feature texts by contributing artists—including Ed Atkins, Josef Strau, and Richard Aldrich—and essays by Jacob King, and Isla Leaver-Yap.

Link: “Time Again” at SculptureCenter

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2 Responses to ““Time Again” at SculptureCenter”

  1. Rockrose Development Says:

    These are some great shots! We’re going to have to make it to the SculptureCenter soon–before this exhibition is over!

  2. Thomas Says:

    The Brauntuch work is very good.

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