November 16th, 2014

“Fin de Siècle” at Swiss Institute

Ugo La Pietra

Artists: Martine Boileau, Mario Botta, Andrea Branzi, Marcel Breuer, Nacho Carbonell, H.R. Giger, Frédéric Levrat, Alessandro Mendini, Paolo Pallucco, Ugo La Pietra, Kurt Thut, Pierre Jeanneret

Venue: Swiss Institute, New York

Exhibition Title: Fin de Siècle

Date: September 17 – November 23, 2014

Click here to view slideshow

Andrea Branzi and Alessandro Mendini

Nacho Carbonell

Paolo Pallucco

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Swiss Institute, New York

Press Release: 

Curated by renowned Greek-Norwegian architect Andreas Angelidakis, Fin de Siècle is the inaugural edition of Swiss Institute’s Annual Design Series. A curatorial homage to Eugène Ionesco’s 1952 absurdist play “The Chairs,” the exhibition includes an eclectic array of late 20th century design pieces sourced from museum and private collections. Presented in an immersive mise-en-scène, this unique selection of chairs resonates with the drama of Ionesco’s tragic farce, 20 years after the celebrated avant-garde playwright’s passing.

The exhibiton includes pieces by Martine Boileau, Mario Botta, Andrea Branzi, Marcel Breuer, Nacho Carbonell, Oswald Dubach, H.R. Giger, Pierre Jeanneret, Charles-Edouard Jeanneret (Le Corbusier), Reto Kaufmann, Wilhelm Kienzle, Gian Franco Legler, Frédéric Levrat, Alessandro Mendini, NN, Paolo Pallucco, Charlotte Perriand, Gaetano Pesce, Ugo La Pietra, Bruno Rey, Alfred Roth, Peter Shire, team form ag, Kurt Thut, Peter Truog, Robert Venturi, Lawrence Weiner, and Armin Wirth.

In “The Chairs,” an elderly couple recounts the demise of civilization to a stage full of empty chairs. Absent of any sitters, the audience is left to imagine the invisible figures that the increasingly incoherent Old Man and Old Woman address. In Fin de Siècle, the chairs themselves speak asynchronously, cast as characters and imbued with life. Directed into small vignettes of imagined conversations and actions that transcend periods and design movements, their dialogue echoes the modernist promise fading away.

Curator Andreas Angelidakis writes: “In our current moment of plurality and infinite flux, these objects from the past era of grand movements are juxtaposed with one another. Let us contemplate their inaudible conversations.”

Highlights include seminal innovations in mass production by Marcel Breuer, Le Corbusier, and Armin Wirth; experiments in utopian design by Pierre Jeanneret; imaginative creations that extend reality by H.R. Giger and Alessandro Mendini; and whimsical splashes of color by Robert Venturi and Peter Shire.

“At this moment the audience would have in front of them … empty chairs on an empty stage decorated with streamers, littered with useless confetti, which would give an impression of sadness, emptiness and disenchantment such as one finds in a ballroom after a dance; and it would be after this that the chairs, the scenery, the void, would inexplicably come to life … upsetting logic and raising fresh doubts.” -Eugène Ionesco

Link: “Fin de Siècle” at Swiss Institute

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