February 22nd, 2017
Artist: Dan Attoe
Venue: Peres Projects, Berlin
Exhibition Title: Natural Selections
Date: December 16, 2016 – February 24, 2017
Full gallery of images, press release and link available after the jump.
Images courtesy of Peres Projects, Berlin. Photos by Matthias Kolb.
Peres Projects is pleased to present Natural Selections, a solo exhibition of new paintings by American artist Dan Attoe. With this new body of works, on view for the first time, we see the artist’s practice evolve as Attoe embraces a more rebellious and impressionistic painting style – a departure from his previous works which focused on a stricter sense of precision.
In the depiction of the vastness, power, and melancholy of nature’s landscapes, Natural Selections continues to explore Attoe’s signature themes. These new paintings capture the wild and chaotic topography of the Northwest coast of America; some of the imagery is culled from actual locations, others are a total fiction created instead from memory, impression, and a fusion of several environments the artist has traveled to over the years.
Loose brush strokes and prominent drips characterize these landscapes with more soft focused edges as Attoe experiments with the boundaries of freedom and self-control in representational painting. Attoe’s masterly techniques for constructing depth and space come to the fore as the artist commits himself to representing the complexity and subtlety of nature’s tones, in keeping with his ongoing dedication towards blue.
Diminutive human figures look off over infinite expanses of water, drift through the forest or float on the tides, their small and detailed bodies juxtaposed by monumental trees, mountains, or shores. Yet they remain disconnected from their sublime surroundings, instead consumed by interpersonal tensions and anxieties about themselves, speaking lines to everyone and no one at all. It rather seems that these fragile subjects are but ghosts passing through the natural world that engulfs them, their presence and thoughts a fleeting moment. Even in the absence of people, the words ‘Free Time’ and ‘Free Money’ float up from the forest with the fog, two of our troubled currencies set against the mist.
Each setting of Attoe’s canvases operates like a single frame along a continuous yet unknown narrative. What remains ambiguous is who the main protagonist might be: is it the epic natural world with its stronger sense of permanence, or the small and socially anxious beings that occupy it? One thing is ultimately clear throughout Attoe’s oeuvre: we are called back into nature, though our sense of place and belonging within it becomes increasingly unsure.
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